| An Inspector Calls | ||||||
| Lighting Plot | ||||||
| as of December 16, 2003 | ||||||
| ACT | # | Page or Reference | Cue | Effect | Sound Effect Reference | |
| I | 1 | Before curtain rise | Dim streetlight/moonlight visible through window; floor lamp lit; desk lamp(s) lit; suspended lamp in alcove DL lit; rear alcove lit; entire stage lit "normally" | |||
| I | 2 | Page 11, top | On Eric’s entry and his “What’s up? Started telling your stories yet?” | Slowly fade out moonlight @ window | ||
| I | 3 | Page 11, middle | After moonlight has faded out, on Birling’s speech “Yes, you don’t know what …” | Begin faint, pulsing red glow @ window which increases in intensity | ||
| I | 4 | Page 11, bottom | As Birling says “…as if we’re all bees in a hive…” & on doorbell ring | Red light goes out | ||
| I | 5 | Page 12/13, top | On Inspector entrance: | Lightning, etc. | Disc 2, Track 3 | |
| I | 6 | Page 14, bottom | After Birling says “I see.”: | Lightning, etc. | Disc 2, Track 4 | |
| I | 7 | Page 15, bottom | On Inspector’s “…chain of events…” | Lightning, etc. | Disc 2, Track 5 | |
| I | 8 | Page 17, middle | After Inspector’s “…better to ask for the earth than to take it…” | Lightning, etc. | Disc 2, Track 6 | |
| I | 9 | Page 19, middle | After Birling explodes “That’s enough!” | Lightning, etc. | Disc 2, Track 7 | |
| I | 10 | Page 22, top | As Sheila rushes from the room: | Lightning, etc. | Disc 2, Track 8 | |
| I | 11 | Page 24, bottom | As Sheila breaks down and sits in chair | Faint Lightning, etc. | Disc 2, Track 9 | |
| I | 12 | Page 26, bottom | After Sheila says “You’ll see. You’ll see.” | Lightning, etc. | Disc 2, Track 10 | |
| I | 13 | Page 27, middle | After Sheila’s line “…you haven't finished asking questions, have you?” | Lightning, etc. | Disc 2, Track 11 | |
| I | 14 | Page 29, middle | After Inspector says “We often do with the younger ones.” | Faint Lightning, etc. | Disc 2, Track 12 | |
| I | 15 | Page 31, bottom | After Sheila says “He hasn’t started on you yet!” | Lightning, etc. | Disc 2, Track 13 | |
| I | 16 | Page 34, top | After Inspector says “Yes, she’s dead.” | Lightning, etc. | Disc 2, Track 14 | |
| I | 17 | Page 36, bottom | After Gerald says “And you’re not going to have any.” | Lightning, etc. | Disc 2, Track 15 | |
| I | 18 | Page 38, bottom | After Gerald’s exit | Lightning, etc. | Disc 2, Track 16 | |
| I | 19 | Page 39, at end of Act I | After Mrs. Birling reacts to photograph | Blackout | Disc 2, Track 17 | |
| II | 1 | Before curtain rise | All lights off | |||
| II | 2 | On curtain rise | At cymbal crash | Lightning, etc., then all lights on as at end of Act I | Disc 3, Track 1 | |
| II | 3 | Page 42, bottom | After Inspector says “Was it or was it not your influence?” | Lightning, etc. | Disc 3, Track 3 | |
| II | 4 | Page 47, top | After Sheila says “I begged you and begged you to stop.”: | Lightning, etc, then lights flicker momentarily then blackout | Disc 3, Track 6 | |
| II | 5 | Page 47, top | With Eric onstage & in position | b. Lights go back on as before blackout | ||
| II | 6 | Page 49, top | As Eric says “…that’s the hellish part.” | Lightning, etc. | Disc 3, Track 7 | |
| II | 7 | Page 53, top | After Inspector’s exit, on door slam… | Flare up of pulsing red glow outside window, then slow fade out of red | Disc 3, Track 8 | |
| II | 8 | Page 53, top | After red fade out, fade-in of streetlight/moonlight again | |||
| II | 9 | Page 66, middle | During Birling’s phone call on “What?” and drop of glass | Begin fading all stage lights | ||
| II | 10 | Page 66, middle | After Birling’s “…to ask some… questions…” | Begin bath of red light both from the window and over the stage | Disc 3, Track 11 | |
| II | 11 | Page 66, middle | As thunder turns into earthquake | Begin strobing all lights | Disc 3, Track 11 | |
| II | 12 | Page 66, middle | As earthquake transitions to "Nearer My God to Thee" | Blackout and curtain | Disc 3, Track 11 | |